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Unfortunately their relationship became strained in the late 1950s and the magic of the early 50s could not be re-created. Ramchandra, exemplified best by her songs in “Anarkali” (1953). That said, the highlight of her career in the early 50s was probably her collaboration with the music director C. The rise of classical music in Hindi films in the early 50s bode well for Lata because, there was no other female singer that could match her prowess in this genre of music. She slowly won over the leading composers like Naushad and Anil Biswas and in 1950, captured the nation’s imagination with Khemchand Prakash’s “Aayega Aanewala” (“Mahal”). Brushing aside a producer’s critique of Lata’s “thin” voice, Ghulam Haider had Lata sing to his music in “Majboor” (1948). Noor Jehan’s influence on Lata can be seen in the early Lata songs.Īfter Master Vinayak’s death in 1948, music director Ghulam Haider took her under his wings.

It was during this period that Lata got a chance to work in the film “Badi Ma” (1945) starring Noor Jehan, and became a fan of the singer-actor. Lata also started taking music lessons from Ustad Aman Ali Khan and Pandit Tulsidas Sharma after she moved to Mumbai in 1945. She started acting in Marathi and Hindi films. After her father’s death in 1942, Lata became financially responsible for her family with support from family friend and film-maker Master Vinayak.

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